{"id":2119,"date":"2025-01-29T13:45:10","date_gmt":"2025-01-29T13:45:10","guid":{"rendered":"https:\/\/nordicfest.ro\/archive\/2025\/?page_id=2119"},"modified":"2025-02-12T09:24:33","modified_gmt":"2025-02-12T09:24:33","slug":"carte-finlanda","status":"publish","type":"page","link":"https:\/\/nordicfest.ro\/archive\/2025\/carte\/carte-finlanda\/","title":{"rendered":"Carte-Finlanda"},"content":{"rendered":"\n
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Carte<\/strong><\/strong><\/p>\n\n\n\n

FINLANDA<\/strong><\/p>\n<\/div>\n\n\n\n

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\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/div>\n\n\n\n
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Misoginismul ca arm\u0103<\/strong><\/p>\n\n\n\n

Discu\u021bie \u00een jurul volumului\u00a0De dou\u0103 ori \u00een acela\u0219i r\u00e2u. <\/em>
R\u0103zboiul lui Putin \u00eempotriva femeilor<\/em>\u00a0de Sofi Oksanen<\/p>\n\n\n\n

<\/div>\n\n\n\n

Oana-Valentina Suciu & Alexandru B\u0103l\u0103\u0219escu<\/p>\n\n\n\n

<\/div>\n\n\n\n

modereaz\u0103:<\/p>\n\n\n\n

Magda Gr\u0103dinaru <\/p>\n<\/div>\n\n\n\n

\n\n\n\n
\n
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c\u00e2nd?<\/strong><\/p>\n\n\n\n

duminic\u0103
16 februarie 2025
17:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n

unde?<\/strong><\/p>\n\n\n\n

C\u0103rture\u0219ti Verona<\/a><\/strong><\/p>\n\n\n\n

Strada Pictor Arthur Verona 13-15<\/p>\n<\/div>\n<\/div>\n\n\n\n

Intrare liber\u0103<\/strong><\/p>\n\n\n\n

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Eveniment organizat \u00een parteneriat cu Editura Polirom<\/em><\/p>\n\n\n\n

\"\"<\/figure>\n<\/div>\n\n\n\n
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Descriere<\/strong><\/p>\n\n\n\n

Ce mecanisme sociale, politice \u0219i psihologice creeaz\u0103 condi\u021biile pentru utilizarea sistematic\u0103 a violen\u021bei sexuale ca arm\u0103? O discu\u021bie despre fe\u021bele prea pu\u021bin discutate ale violen\u021bei, pornind de la volumul scriitoarei finlandeze Sofi Oksanen, o analiz\u0103 a imperialismului rusesc care a instrumentalizat misoginismul \u015fi care a fost favorizat \u00een trecut de indiferen\u0163a lumii occidentale.<\/p>\n\n\n\n

\n\n\n\n

Sofi Oksanen<\/strong><\/p>\n\n\n\n

Sofi Oksanen s-a n\u0103scut \u00een 1977 la Jyv\u00e4skyl\u00e4, \u00een Finlanda. A studiat literatura \u015fi dramaturgia la Helsinki \u015fi a devenit cunoscut\u0103 odat\u0103 cu publicarea romanelor Vacile lui Stalin<\/em> (Stalinin lehm\u00e4t, <\/em>2003; Polirom, 2012) \u015fi Baby Jane<\/em> (2005). \u00cen 2007 a scris piesa de teatru Purificare <\/em>(Puhdistus<\/em>), ce a stat la baza romanului omonim publicat \u00een 2008 (Polirom, 2012, 2013, 2021). Dup\u0103 apari\u0163ie, Purificare<\/em> a urcat rapid \u00een topul bestsellerurilor finlandeze \u015fi a fost distins cu numeroase premii prestigioase, precum Finlandia Prize (2008), Nordic Council Literature Prize (2010), Prix Femina \u00e9tranger (2010) sau Prix du Roman FNAC (2010). I-au urmat romanele Ziua c\u00e2nd au disp\u0103rut porumbeii<\/em> (Kun kyyhkyset katosivat<\/em>, 2012; Polirom, 2013), Norma<\/em> (2015) \u015fi Parcul pentru c\u00e2ini<\/em> (Koirapuisto, 2019; Polirom, 2021). <\/p>\n\n\n\n

Sofi Oksanen a scris \u015fi alte piese de teatru foarte apreciate de public, iar dou\u0103 dintre romanele ei, Baby Jane<\/em> \u015fi Purificare<\/em>, au fost ecranizate. \u00cen 2013 i s-a decernat Nordic Prize, unul dintre cele mai importante premii acordate de Academia Suedez\u0103, iar \u00een 2018 a primit din partea statului francez titlul de Cavaler al Ordinului Artelor \u015fi Literelor.<\/p>\n\n\n\n

\n\n\n\n

Invita\u021bi<\/strong><\/p>\n\n\n\n

Oana-Valentina Suciu, sociolog \u0219i activist civic<\/strong><\/p>\n\n\n\n

Oana-Valentina Suciu <\/strong>de\u021bine o diplom\u0103 \u00een sociologie politic\u0103 \u0219i un doctorat \u00een \u0219tiin\u021be politice la Universitatea din Bucure\u0219ti. Educat\u0103 \u00een Bucure\u0219ti, Oxford, New York \u0219i Budapesta, ea a primit, de asemenea, mai multe granturi de cercetare \u0219i dezvoltare academic\u0103 de la OSI, AFP, USIS \u0219i British Council\/Chevening. \u00cenc\u0103 din anii de licen\u021b\u0103 a lucrat ca activist\u0103 civic\u0103 \u0219i cercet\u0103tor senior pentru diverse ONG-uri \u0219i think-tank-uri. A colaborat cu Institutul B\u0103ncii Mondiale din Washington DC \u0219i cu Centrul de Cercetare a Economiilor post-comuniste din Londra. <\/p>\n\n\n\n

\u00cen prezent este conferen\u021biar la Facultatea de \u0218tiin\u021be Politice a Universit\u0103\u021bii Bucure\u0219ti \u0219i prodecan al facult\u0103\u021bii. Pred\u0103 sociologie politic\u0103, comportament de vot, metode de cercetare \u00een \u0219tiin\u021be politice, diploma\u021bie cultural\u0103, industrii creative \u0219i istoria politic\u0103 a minorit\u0103\u021bilor etnice din Europa Central\u0103 \u0219i de Est. Este, de asemenea, membru al Zeppelin, o organiza\u021bie neguvernamental\u0103 implicat\u0103 \u00een politici culturale \u0219i interven\u021bii \u00een spa\u021biul public. Interesul ei de cercetare se bazeaz\u0103 pe problemele minorit\u0103\u021bilor etnice, reprezentarea politic\u0103 \u0219i tranzi\u021bia \u00een Europa Central\u0103 \u0219i de Est, precum \u0219i spa\u021biul public. Este autoarea a numeroase articole \u0219i capitole de carte pe temele men\u021bionate mai sus.<\/p>\n\n\n\n

Alexandru B\u0103l\u0103\u0219escu<\/strong>, antropolog<\/strong><\/p>\n\n\n\n

Alexandru (Alec) B\u0103l\u0103\u0219escu este antropolog, autor al volumelor Paris elegant, Teheran incitant. Corpuri estetice \/ Subiecte politice<\/em>, Voioasa expunere a ordinii mondiale<\/em> \u0219i \u00centr-o zi, ora\u0219ul. Adopt\u0103 un canadian<\/em>. Pred\u0103 la Universitatea Royal Roads din Victoria, Canada, \u00een programul de Master Leadership Global. \u0218i-a ob\u021binut doctoratul la Universitatea California, Irvine, \u0219i a lucrat \u00een domeniul administra\u021biei de stat \u0219i diploma\u021biei culturale, dar \u0219i \u00een mediul privat. <\/p>\n\n\n\n

A tr\u0103it \u0219i activat profesional \u00een 8 \u021b\u0103ri diferite, din Hong Kong, Bahrain sau Iran, p\u00e2n\u0103 \u00een Canada, SUA sau Fran\u021ba. Activeaz\u0103 ocazional \u00een calitate de curator sau artist \u00een diverse proiecte \u0219i este fondatorul Re-Genera Group, un business cu focus pe biodiversitate \u0219i tranzi\u021bia energetic\u0103. Urm\u0103toarea sa carte, Climate Change in the Age of Artificial Intelligence. Nature, Culture, and the Politics of Technology,<\/em> este \u00een curs de apari\u021bie la editura Springer Nature. <\/p>\n\n\n\n

Magda Gr\u0103dinaru, jurnalist\u0103<\/strong><\/p>\n\n\n\n

Una dintre convingerile Magdei Gr\u0103dinaru e aceea c\u0103 jurnalismul este o profesie de interval, care trebuie s\u0103 explice oamenilor deciziile politice, na\u021bionale \u0219i interna\u021bionale, prin refacerea contextului, \u0219i \u00een egal\u0103 m\u0103sur\u0103 s\u0103 abordeze temele sociale, \u00een a\u0219a fel \u00eenc\u00e2t s\u0103 aduc\u0103 \u00een aten\u021bia deciden\u021bilor politici agenda real\u0103 a societ\u0103\u021bii, nevoile, problemele, \u00eentreb\u0103rile oamenilor. De aceea face \u00eenc\u0103 teren \u0219i nu \u0219i-ar imagina meseria de jurnalist f\u0103r\u0103 lucrul de teren \u0219i f\u0103r\u0103 aten\u021bia scrupuloas\u0103 acordat\u0103 contextului. <\/p>\n\n\n\n

Este preocupat\u0103 deopotriv\u0103 de politic\u0103 \u0219i cultur\u0103: aceasta din urm\u0103 poate explica lumea \u00een care tr\u0103im, prin felul \u00een care ce se \u00eent\u00e2mpl\u0103 \u00een politic\u0103, geopolitic\u0103, \u00een istoria mare afecteaz\u0103 via\u021ba cotidian\u0103 a oamenilor \u0219i povestea fiec\u0103ruia dintre noi.<\/p>\n\n\n\n

Interviurile cu Amos Oz, Ismail Kadare, Andrei Ple\u0219u, Mark Galeotti, Thierry Wolton, Noah Yuval Harari, Ludmila Uli\u021bkaia, Slavenka Drakulic, Neagu Djuvara sunt doar c\u00e2teva dintre highlight-urile celor 17 ani de pres\u0103, vreme \u00een care a f\u0103cut pres\u0103 de agen\u021bie, televiziune \u0219i pres\u0103 online. La spotmedia.ro, Magda semneaz\u0103 dou\u0103 rubrici: Intelectuali fa\u021b\u0103 cu istoria<\/em> \u0219i Spot on Europe<\/em>. Scrie \u0219i analize \u0219i editoriale \u0219i acoper\u0103, de pe teren, evenimente politice \u0219i europene.<\/p>\n\n\n\n

\n\n\n\n
\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n<\/figure>\n<\/div>\n\n\n\n
\n
\n

Carte<\/strong><\/strong><\/p>\n\n\n\n

FINLANDA<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

Misoginismul ca arm\u0103<\/strong><\/p>\n\n\n\n

Discu\u021bie \u00een jurul volumului\u00a0De dou\u0103 ori \u00een acela\u0219i r\u00e2u. <\/em>
R\u0103zboiul lui Putin \u00eempotriva femeilor<\/em>\u00a0de Sofi Oksanen<\/p>\n\n\n\n

<\/div>\n\n\n\n

Oana-Valentina Suciu & Alexandru B\u0103l\u0103\u0219escu<\/p>\n\n\n\n

<\/div>\n\n\n\n

modereaz\u0103:<\/p>\n\n\n\n

Magda Gr\u0103dinaru <\/p>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

c\u00e2nd?<\/strong><\/p>\n\n\n\n

duminic\u0103
16 februarie 2025
17:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n

unde?<\/strong><\/p>\n\n\n\n

C\u0103rture\u0219ti Verona<\/a><\/strong><\/p>\n\n\n\n

Strada Pictor Arthur Verona 13-15<\/p>\n<\/div>\n<\/div>\n\n\n\n

Intrare liber\u0103<\/strong><\/p>\n\n\n\n

\n

Eveniment organizat \u00een parteneriat cu Editura Polirom<\/em><\/p>\n\n\n\n

\"\"<\/figure>\n<\/div>\n\n\n\n
\n\n\n\n

Descriere<\/strong><\/p>\n\n\n\n

Ce mecanisme sociale, politice \u0219i psihologice creeaz\u0103 condi\u021biile pentru utilizarea sistematic\u0103 a violen\u021bei sexuale ca arm\u0103? O discu\u021bie despre fe\u021bele prea pu\u021bin discutate ale violen\u021bei, pornind de la volumul scriitoarei finlandeze Sofi Oksanen, o analiz\u0103 a imperialismului rusesc care a instrumentalizat misoginismul \u015fi care a fost favorizat \u00een trecut de indiferen\u0163a lumii occidentale.<\/p>\n\n\n\n

\n\n\n\n

Sofi Oksanen<\/strong><\/p>\n\n\n\n

Sofi Oksanen s-a n\u0103scut \u00een 1977 la Jyv\u00e4skyl\u00e4, \u00een Finlanda. A studiat literatura \u015fi dramaturgia la Helsinki \u015fi a devenit cunoscut\u0103 odat\u0103 cu publicarea romanelor Vacile lui Stalin<\/em> (Stalinin lehm\u00e4t, <\/em>2003; Polirom, 2012) \u015fi Baby Jane<\/em> (2005). \u00cen 2007 a scris piesa de teatru Purificare <\/em>(Puhdistus<\/em>), ce a stat la baza romanului omonim publicat \u00een 2008 (Polirom, 2012, 2013, 2021). Dup\u0103 apari\u0163ie, Purificare<\/em> a urcat rapid \u00een topul bestsellerurilor finlandeze \u015fi a fost distins cu numeroase premii prestigioase, precum Finlandia Prize (2008), Nordic Council Literature Prize (2010), Prix Femina \u00e9tranger (2010) sau Prix du Roman FNAC (2010). I-au urmat romanele Ziua c\u00e2nd au disp\u0103rut porumbeii<\/em> (Kun kyyhkyset katosivat<\/em>, 2012; Polirom, 2013), Norma<\/em> (2015) \u015fi Parcul pentru c\u00e2ini<\/em> (Koirapuisto, 2019; Polirom, 2021). <\/p>\n\n\n\n

Sofi Oksanen a scris \u015fi alte piese de teatru foarte apreciate de public, iar dou\u0103 dintre romanele ei, Baby Jane<\/em> \u015fi Purificare<\/em>, au fost ecranizate. \u00cen 2013 i s-a decernat Nordic Prize, unul dintre cele mai importante premii acordate de Academia Suedez\u0103, iar \u00een 2018 a primit din partea statului francez titlul de Cavaler al Ordinului Artelor \u015fi Literelor.<\/p>\n\n\n\n

\n\n\n\n

Invita\u021bi<\/strong><\/p>\n\n\n\n

Oana-Valentina Suciu, sociolog \u0219i activist civic<\/strong><\/p>\n\n\n\n

Oana-Valentina Suciu <\/strong>de\u021bine o diplom\u0103 \u00een sociologie politic\u0103 \u0219i un doctorat \u00een \u0219tiin\u021be politice la Universitatea din Bucure\u0219ti. Educat\u0103 \u00een Bucure\u0219ti, Oxford, New York \u0219i Budapesta, ea a primit, de asemenea, mai multe granturi de cercetare \u0219i dezvoltare academic\u0103 de la OSI, AFP, USIS \u0219i British Council\/Chevening. \u00cenc\u0103 din anii de licen\u021b\u0103 a lucrat ca activist\u0103 civic\u0103 \u0219i cercet\u0103tor senior pentru diverse ONG-uri \u0219i think-tank-uri. A colaborat cu Institutul B\u0103ncii Mondiale din Washington DC \u0219i cu Centrul de Cercetare a Economiilor post-comuniste din Londra. <\/p>\n\n\n\n

\u00cen prezent este conferen\u021biar la Facultatea de \u0218tiin\u021be Politice a Universit\u0103\u021bii Bucure\u0219ti \u0219i prodecan al facult\u0103\u021bii. Pred\u0103 sociologie politic\u0103, comportament de vot, metode de cercetare \u00een \u0219tiin\u021be politice, diploma\u021bie cultural\u0103, industrii creative \u0219i istoria politic\u0103 a minorit\u0103\u021bilor etnice din Europa Central\u0103 \u0219i de Est. Este, de asemenea, membru al Zeppelin, o organiza\u021bie neguvernamental\u0103 implicat\u0103 \u00een politici culturale \u0219i interven\u021bii \u00een spa\u021biul public. Interesul ei de cercetare se bazeaz\u0103 pe problemele minorit\u0103\u021bilor etnice, reprezentarea politic\u0103 \u0219i tranzi\u021bia \u00een Europa Central\u0103 \u0219i de Est, precum \u0219i spa\u021biul public. Este autoarea a numeroase articole \u0219i capitole de carte pe temele men\u021bionate mai sus.<\/p>\n\n\n\n

Alexandru B\u0103l\u0103\u0219escu<\/strong>, antropolog<\/strong><\/p>\n\n\n\n

Alexandru (Alec) B\u0103l\u0103\u0219escu este antropolog, autor al volumelor Paris elegant, Teheran incitant. Corpuri estetice \/ Subiecte politice<\/em>, Voioasa expunere a ordinii mondiale<\/em> \u0219i \u00centr-o zi, ora\u0219ul. Adopt\u0103 un canadian<\/em>. Pred\u0103 la Universitatea Royal Roads din Victoria, Canada, \u00een programul de Master Leadership Global. \u0218i-a ob\u021binut doctoratul la Universitatea California, Irvine, \u0219i a lucrat \u00een domeniul administra\u021biei de stat \u0219i diploma\u021biei culturale, dar \u0219i \u00een mediul privat. <\/p>\n\n\n\n

A tr\u0103it \u0219i activat profesional \u00een 8 \u021b\u0103ri diferite, din Hong Kong, Bahrain sau Iran, p\u00e2n\u0103 \u00een Canada, SUA sau Fran\u021ba. Activeaz\u0103 ocazional \u00een calitate de curator sau artist \u00een diverse proiecte \u0219i este fondatorul Re-Genera Group, un business cu focus pe biodiversitate \u0219i tranzi\u021bia energetic\u0103. Urm\u0103toarea sa carte, Climate Change in the Age of Artificial Intelligence. Nature, Culture, and the Politics of Technology,<\/em> este \u00een curs de apari\u021bie la editura Springer Nature. <\/p>\n\n\n\n

Magda Gr\u0103dinaru, jurnalist\u0103<\/strong><\/p>\n\n\n\n

Una dintre convingerile Magdei Gr\u0103dinaru e aceea c\u0103 jurnalismul este o profesie de interval, care trebuie s\u0103 explice oamenilor deciziile politice, na\u021bionale \u0219i interna\u021bionale, prin refacerea contextului, \u0219i \u00een egal\u0103 m\u0103sur\u0103 s\u0103 abordeze temele sociale, \u00een a\u0219a fel \u00eenc\u00e2t s\u0103 aduc\u0103 \u00een aten\u021bia deciden\u021bilor politici agenda real\u0103 a societ\u0103\u021bii, nevoile, problemele, \u00eentreb\u0103rile oamenilor. De aceea face \u00eenc\u0103 teren \u0219i nu \u0219i-ar imagina meseria de jurnalist f\u0103r\u0103 lucrul de teren \u0219i f\u0103r\u0103 aten\u021bia scrupuloas\u0103 acordat\u0103 contextului. <\/p>\n\n\n\n

Este preocupat\u0103 deopotriv\u0103 de politic\u0103 \u0219i cultur\u0103: aceasta din urm\u0103 poate explica lumea \u00een care tr\u0103im, prin felul \u00een care ce se \u00eent\u00e2mpl\u0103 \u00een politic\u0103, geopolitic\u0103, \u00een istoria mare afecteaz\u0103 via\u021ba cotidian\u0103 a oamenilor \u0219i povestea fiec\u0103ruia dintre noi.<\/p>\n\n\n\n

Interviurile cu Amos Oz, Ismail Kadare, Andrei Ple\u0219u, Mark Galeotti, Thierry Wolton, Noah Yuval Harari, Ludmila Uli\u021bkaia, Slavenka Drakulic, Neagu Djuvara sunt doar c\u00e2teva dintre highlight-urile celor 17 ani de pres\u0103, vreme \u00een care a f\u0103cut pres\u0103 de agen\u021bie, televiziune \u0219i pres\u0103 online. La spotmedia.ro, Magda semneaz\u0103 dou\u0103 rubrici: Intelectuali fa\u021b\u0103 cu istoria<\/em> \u0219i Spot on Europe<\/em>. Scrie \u0219i analize \u0219i editoriale \u0219i acoper\u0103, de pe teren, evenimente politice \u0219i europene.<\/p>\n\n\n\n

\n\n\n\n
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\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n<\/figure>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Carte FINLANDA Misoginismul ca arm\u0103 Discu\u021bie \u00een jurul volumului\u00a0De dou\u0103 ori \u00een acela\u0219i r\u00e2u. R\u0103zboiul lui Putin \u00eempotriva femeilor\u00a0de Sofi […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":297,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_editorskit_title_hidden":true,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","_gspb_post_css":"","inline_featured_image":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-2119","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/nordicfest.ro\/archive\/2025\/wp-json\/wp\/v2\/pages\/2119","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nordicfest.ro\/archive\/2025\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nordicfest.ro\/archive\/2025\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nordicfest.ro\/archive\/2025\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nordicfest.ro\/archive\/2025\/wp-json\/wp\/v2\/comments?post=2119"}],"version-history":[{"count":14,"href":"https:\/\/nordicfest.ro\/archive\/2025\/wp-json\/wp\/v2\/pages\/2119\/revisions"}],"predecessor-version":[{"id":2363,"href":"https:\/\/nordicfest.ro\/archive\/2025\/wp-json\/wp\/v2\/pages\/2119\/revisions\/2363"}],"up":[{"embeddable":true,"href":"https:\/\/nordicfest.ro\/archive\/2025\/wp-json\/wp\/v2\/pages\/297"}],"wp:attachment":[{"href":"https:\/\/nordicfest.ro\/archive\/2025\/wp-json\/wp\/v2\/media?parent=2119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}