{"id":2036,"date":"2025-01-29T12:28:56","date_gmt":"2025-01-29T12:28:56","guid":{"rendered":"https:\/\/nordicfest.ro\/archive\/2025\/?page_id=2036"},"modified":"2025-02-10T07:35:11","modified_gmt":"2025-02-10T07:35:11","slug":"carte-danemarca","status":"publish","type":"page","link":"https:\/\/nordicfest.ro\/archive\/2025\/carte\/carte-danemarca\/","title":{"rendered":"Carte-Danemarca"},"content":{"rendered":"\n
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Carte<\/strong><\/strong><\/p>\n\n\n\n

DANEMARCA<\/strong><\/p>\n<\/div>\n\n\n\n

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\"\"<\/figure>\n<\/div>\n\n\n\n
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Sensurile cele noi ale pove\u0219tilor<\/strong><\/p>\n\n\n\n

Cum \u00eel mai citim pe Andersen azi?<\/p>\n\n\n\n

<\/div>\n\n\n\n

Ana Maria Sandu & Alina Tudor<\/p>\n<\/div>\n\n\n\n

\n\n\n\n
\n
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c\u00e2nd?<\/strong><\/p>\n\n\n\n

s\u00e2mb\u0103t\u0103
15 februarie 2025
11:30<\/strong><\/p>\n<\/div>\n\n\n\n

\n

unde?<\/strong><\/p>\n\n\n\n

C\u0103rture\u0219ti Verona<\/a><\/strong><\/p>\n\n\n\n

Strada Pictor Arthur Verona 13-15<\/p>\n<\/div>\n<\/div>\n\n\n\n

Intrare liber\u0103<\/strong><\/p>\n\n\n\n

\n\n\n\n

Descriere<\/strong><\/p>\n\n\n\n

Genera\u021biile de ast\u0103zi cresc \u00eentr-un peisaj literar foarte diferit de cel al p\u0103rin\u021bilor lor. Le mai spune ceva un autor care a scris \u00een urm\u0103 cu aproape 200 de ani? O discu\u021bie despre dac\u0103 \u0219i cum mai citim autori clasici pentru copii \u0219i ce sensuri noi cap\u0103t\u0103 pove\u0219tile prin prisma experien\u021belor copiilor de azi. Ne trebuie neap\u0103rat alte pove\u0219ti, sau trebuie doar s\u0103 citim pove\u0219tile clasice cu al\u021bi ochi?<\/p>\n\n\n\n

O discu\u021bie animat\u0103 de o expozi\u021bie de ilustra\u021bii inspirate de patru basme de Andersen, realizate de elevi ai \u0218colii Gimnaziale de Arte nr. 3, coordona\u021bi de prof. Florina Ni\u021b\u0103.<\/p>\n\n\n\n

\n\n\n\n

Invita\u021bi<\/strong><\/p>\n\n\n\n

Ana Maria Sandu, scriitoare \u0219i jurnalist\u0103<\/strong><\/p>\n\n\n\n

Ana Maria Sandu a debutat \u00een 2003 cu volumul Din amintirile unui Chelbasan <\/em>(Editura Paralela 45), reeditat \u00een 2013 la Editura Art. Cartea a fost tradus\u0103 \u00een limba francez\u0103 \u00een 2010 cu titlul L\u2019\u00e9corchure<\/em>. \u00cen 2006 a publicat la Editura Polirom, \u00een colec\u0163ia \u201eEgo. Proz\u0103\u201d, romanul Fata din casa vagon<\/em>, iar \u00een 2010 romanul Omoar\u0103-m\u0103! <\/em>\u00cen 2013 a publicat Alearg\u0103.<\/em><\/p>\n\n\n\n

\u00cen 2017 i-a ap\u0103rut volumul de proz\u0103 scurt\u0103 Pere\u021bi sub\u021biri<\/em>, iar \u00een 2019 a publicat volumul de eseuri Mama \u00eemi spune c\u0103 am o via\u021b\u0103 frumoas\u0103, <\/em>ambele la Editura Polirom. Volumul Hortensia Papadat-Bengescu. Str\u0103ina<\/em> (Editura Polirom, Colec\u021bia \u201eBiografii roman\u021bate\u201d a ap\u0103rut \u00een 2021. \u00cen 2024 a publicat volumul de proz\u0103 scurt\u0103 Salvatorii<\/em>.  <\/p>\n\n\n\n

Este \u0219i autoarea a dou\u0103 romane pentru copii, \u00cen \u021bara vacilor fericite <\/em>(Editura Frontiera, 2023) \u0219i Vacan\u021b\u0103 \u00een Portocalia<\/em> (2024, la aceea\u0219i editur\u0103). A coordonat volumul Cu ochii \u00een 3,14<\/em>, o antologie Dilema veche<\/em>, ap\u0103rut\u0103 \u00een 2016 la Humanitas. A realizat numeroase ateliere de scris \u0219i de citit cu copii \u0219i adul\u021bi. A dramatizat mai multe texte literare \u0219i nu numai. Este redactor la revista Dilema<\/em>.<\/p>\n\n\n\n

Alina Tudor, ini\u021biatoare proiecte de promovare a culturii scrise<\/strong><\/p>\n\n\n\n

Alina Tudor este absolvent\u0103 UNArte Bucure\u0219ti, sec\u021bia Ceramic\u0103 \u0219i \u00een prezent doctorand\u0103 \u00een cadrul aceleia\u0219i universit\u0103\u021bi. \u00cen ultimii zece ani, practica sa artistic\u0103 s-a \u00eembinat cu preocuparea pentru educa\u021bie, d\u00e2nd na\u0219tere \u00een felul acesta unor proiecte menite s\u0103 formeze \u0219i stimuleze g\u00e2ndirea artistic\u0103 \u0219i creativ\u0103 a copiilor. \u00cen acest sens, a format un nucleu ce s-a dezvoltat pe grupe de v\u00e2rst\u0103, \u00een jurul c\u0103ruia s-au adunat copii, p\u0103rin\u021bi, arti\u0219ti vizuali \u0219i scriitori \u2013 o adev\u0103rat\u0103 comunitate care crede \u00een valoarea \u0219i dimensiunea educa\u021biei prin art\u0103 \u0219i cultur\u0103. Alina Tudor este pre\u0219edinte \u0219i coordonator artistic al Asocia\u021biei pentru Creativitate.<\/p>\n\n\n\n

De peste 20 de ani Alina Tudor este activ\u0103 \u00een zona artelor vizuale. Aplecat\u0103 c\u0103tre forma sculptural\u0103 \u0219i obiect, artista abordeaz\u0103 medii diferite \u0219i tehnici diverse de lucru, ceramica fiind o component\u0103 constant\u0103 \u00een crea\u021bia sa. A fondat \u00eempreun\u0103 cu R\u0103zvan Neagoe grupul focAR \u00een anul 2006, semn\u00e2nd cu acesta numeroase proiecte ce au participat la expozi\u021bii importante \u00een \u021bar\u0103 \u0219i str\u0103in\u0103tate, printre care Bienala de la Lyon, Urban Jealousy \u2013 The First International Roaming Biennial of Tehran \u0219i Bucharest Biennale 5.     <\/p>\n\n\n\n

\n\n\n\n

Expozi\u021bie de ilustra\u021bii inspirate de patru basme de Hans Christian Andersen<\/strong><\/p>\n\n\n\n

Realizate de elevi ai \u0218colii Gimnaziale de Arte nr. 3<\/p>\n\n\n\n

\n
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\"\"<\/a><\/figure>\n<\/figure>\n<\/div>\n\n\n\n
\n
\n

Carte<\/strong><\/strong><\/p>\n\n\n\n

DANEMARCA<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

Sensurile cele noi ale pove\u0219tilor<\/strong>
<\/p>\n\n\n\n

Cum \u00eel mai citim pe Andersen azi?<\/p>\n\n\n\n

<\/div>\n\n\n\n

Ana Maria Sandu & Alina Tudor<\/p>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

c\u00e2nd?<\/strong><\/p>\n\n\n\n

s\u00e2mb\u0103t\u0103
15 februarie 2025
11:30<\/strong><\/p>\n<\/div>\n\n\n\n

\n

unde?<\/strong><\/p>\n\n\n\n

C\u0103rture\u0219ti Verona<\/a><\/strong><\/p>\n\n\n\n

Strada Pictor Arthur Verona 13-15<\/p>\n<\/div>\n<\/div>\n\n\n\n

Intrare liber\u0103<\/strong><\/p>\n\n\n\n

\n\n\n\n

Descriere<\/strong><\/p>\n\n\n\n

Genera\u021biile de ast\u0103zi cresc \u00eentr-un peisaj literar foarte diferit de cel al p\u0103rin\u021bilor lor. Le mai spune ceva un autor care a scris \u00een urm\u0103 cu aproape 200 de ani? O discu\u021bie despre dac\u0103 \u0219i cum mai citim autori clasici pentru copii \u0219i ce sensuri noi cap\u0103t\u0103 pove\u0219tile prin prisma experien\u021belor copiilor de azi. Ne trebuie neap\u0103rat alte pove\u0219ti, sau trebuie doar s\u0103 citim pove\u0219tile clasice cu al\u021bi ochi?<\/p>\n\n\n\n

O discu\u021bie animat\u0103 de o expozi\u021bie de ilustra\u021bii inspirate de patru basme de Andersen, realizate de elevi ai \u0218colii Gimnaziale de Arte nr. 3, coordona\u021bi de prof. Florina Ni\u021b\u0103.<\/p>\n\n\n\n

\n\n\n\n

Invita\u021bi<\/strong><\/p>\n\n\n\n

Ana Maria Sandu, scriitoare \u0219i jurnalist\u0103<\/strong><\/p>\n\n\n\n

Ana Maria Sandu a debutat \u00een 2003 cu volumul Din amintirile unui Chelbasan <\/em>(Editura Paralela 45), reeditat \u00een 2013 la Editura Art. Cartea a fost tradus\u0103 \u00een limba francez\u0103 \u00een 2010 cu titlul L\u2019\u00e9corchure<\/em>. \u00cen 2006 a publicat la Editura Polirom, \u00een colec\u0163ia \u201eEgo. Proz\u0103\u201d, romanul Fata din casa vagon<\/em>, iar \u00een 2010 romanul Omoar\u0103-m\u0103! <\/em>\u00cen 2013 a publicat Alearg\u0103.<\/em><\/p>\n\n\n\n

\u00cen 2017 i-a ap\u0103rut volumul de proz\u0103 scurt\u0103 Pere\u021bi sub\u021biri<\/em>, iar \u00een 2019 a publicat volumul de eseuri Mama \u00eemi spune c\u0103 am o via\u021b\u0103 frumoas\u0103, <\/em>ambele la Editura Polirom. Volumul Hortensia Papadat-Bengescu. Str\u0103ina<\/em> (Editura Polirom, Colec\u021bia \u201eBiografii roman\u021bate\u201d a ap\u0103rut \u00een 2021. \u00cen 2024 a publicat volumul de proz\u0103 scurt\u0103 Salvatorii<\/em>.  <\/p>\n\n\n\n

Este \u0219i autoarea a dou\u0103 romane pentru copii, \u00cen \u021bara vacilor fericite <\/em>(Editura Frontiera, 2023) \u0219i Vacan\u021b\u0103 \u00een Portocalia<\/em> (2024, la aceea\u0219i editur\u0103). A coordonat volumul Cu ochii \u00een 3,14<\/em>, o antologie Dilema veche<\/em>, ap\u0103rut\u0103 \u00een 2016 la Humanitas. A realizat numeroase ateliere de scris \u0219i de citit cu copii \u0219i adul\u021bi. A dramatizat mai multe texte literare \u0219i nu numai. Este redactor la revista Dilema<\/em>.<\/p>\n\n\n\n

Alina Tudor, ini\u021biatoare proiecte de promovare a culturii scrise<\/strong><\/p>\n\n\n\n

Alina Tudor este absolvent\u0103 UNArte Bucure\u0219ti, sec\u021bia Ceramic\u0103 \u0219i \u00een prezent doctorand\u0103 \u00een cadrul aceleia\u0219i universit\u0103\u021bi. \u00cen ultimii zece ani, practica sa artistic\u0103 s-a \u00eembinat cu preocuparea pentru educa\u021bie, d\u00e2nd na\u0219tere \u00een felul acesta unor proiecte menite s\u0103 formeze \u0219i stimuleze g\u00e2ndirea artistic\u0103 \u0219i creativ\u0103 a copiilor. \u00cen acest sens, a format un nucleu ce s-a dezvoltat pe grupe de v\u00e2rst\u0103, \u00een jurul c\u0103ruia s-au adunat copii, p\u0103rin\u021bi, arti\u0219ti vizuali \u0219i scriitori \u2013 o adev\u0103rat\u0103 comunitate care crede \u00een valoarea \u0219i dimensiunea educa\u021biei prin art\u0103 \u0219i cultur\u0103. Alina Tudor este pre\u0219edinte \u0219i coordonator artistic al Asocia\u021biei pentru Creativitate.<\/p>\n\n\n\n

De peste 20 de ani Alina Tudor este activ\u0103 \u00een zona artelor vizuale. Aplecat\u0103 c\u0103tre forma sculptural\u0103 \u0219i obiect, artista abordeaz\u0103 medii diferite \u0219i tehnici diverse de lucru, ceramica fiind o component\u0103 constant\u0103 \u00een crea\u021bia sa. A fondat \u00eempreun\u0103 cu R\u0103zvan Neagoe grupul focAR \u00een anul 2006, semn\u00e2nd cu acesta numeroase proiecte ce au participat la expozi\u021bii importante \u00een \u021bar\u0103 \u0219i str\u0103in\u0103tate, printre care Bienala de la Lyon, Urban Jealousy \u2013 The First International Roaming Biennial of Tehran \u0219i Bucharest Biennale 5.     <\/p>\n\n\n\n

\n\n\n\n

Expozi\u021bie de ilustra\u021bii inspirate de patru basme de Hans Christian Andersen<\/strong><\/strong><\/p>\n\n\n\n

Realizate de elevi ai \u0218colii Gimnaziale de Arte nr. 3<\/p>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n
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\"\"<\/a><\/figure>\n<\/figure>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Carte DANEMARCA Sensurile cele noi ale pove\u0219tilor Cum \u00eel mai citim pe Andersen azi? Ana Maria Sandu & Alina Tudor c\u00e2nd? […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":297,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","_gspb_post_css":"","inline_featured_image":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-2036","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/nordicfest.ro\/archive\/2025\/wp-json\/wp\/v2\/pages\/2036","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nordicfest.ro\/archive\/2025\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nordicfest.ro\/archive\/2025\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nordicfest.ro\/archive\/2025\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nordicfest.ro\/archive\/2025\/wp-json\/wp\/v2\/comments?post=2036"}],"version-history":[{"count":24,"href":"https:\/\/nordicfest.ro\/archive\/2025\/wp-json\/wp\/v2\/pages\/2036\/revisions"}],"predecessor-version":[{"id":2353,"href":"https:\/\/nordicfest.ro\/archive\/2025\/wp-json\/wp\/v2\/pages\/2036\/revisions\/2353"}],"up":[{"embeddable":true,"href":"https:\/\/nordicfest.ro\/archive\/2025\/wp-json\/wp\/v2\/pages\/297"}],"wp:attachment":[{"href":"https:\/\/nordicfest.ro\/archive\/2025\/wp-json\/wp\/v2\/media?parent=2036"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}